Red Fife Ginger Molasses Cookies

My ode to Red Fife comes in the form of a cookie.

This recipe starts like so many of its cookie counterparts with sugar and butter. (Sorry vegans.)  Butter not only makes cookies exceptionally rich in flavour but it creates a luxurious mouthfeel, too.

Recipes ask bakers to cream these two foundational pillars of Cookiedom.  That won’t happen if your butter is cold. Pull out an unsalted stick or two at least two hours before you plan to bake.

A KitchenAid mixer is a must if you bake as regularly as I do.  Drop butter and sugar into the mixing bowl, attach the whisk, press “Go” and watch these two ingredients intermingle and transform into a light, magical creamy mass.

IMG_5049Next, crack an egg into the mix and lightly oil a measuring cup to ensure easy lift-off for the half cup of molasses needed.

That’s a little trick I share with my daughter Krystal as we bake up a batch.  She has never baked with molasses before and feels less than patient as it endlessly pours in a feathery  stream out of our almost empty Crosby’s Fancy Molasses container. Likewise, she’s wholly unimpressed with this sweetener’s slightly metallic, smoky taste.

But she complies with my teaching suggestions today, knowing I insist on constant tasting, sniffing and touching to learn baking’s alchemy.

She also knows there are white chocolate chips in the mix.

Ah, white chocolate chips. These are forefront on Krystal’s mind as we search the kitchen cupboards and drawers for this cookie’s ingredients. Unlike cloves, which we grind, sniff and sift fresh, or candied ginger, instantly proclaimed “yuck” when sampled, Krystal needs little encouragement to gobble a handful of chips after she measures a very generous half-cup.

It’s the Red Fife that excites this baker. Canada’s heirloom wheat varietal adds incredible flavour to these cookies, especially if it’s locally sourced and freshly milled.

Luckily, that’s what 1847 Stone Milled Flour is all about. They’re very busy filling orders in the midst of this pandemic, but if ever there was an essential ingredient needed for baking security, it’s flour. Check it out.IMG_5056

 

Red Fife Ginger Molasses Cookies

Red Fife Ginger Molasses Cookies

These are thin, saucer shaped cookies with gingery buttery goodness. Makes 30

3 cups             Red Fife

1 ½ tsp            baking soda

3/4 tsp             baking powder

½ tsp                salt

1 tbsp              ground ginger

¼ tsp                cloves (freshly ground if possible)

¾ cup              room temp butter (1½ sticks)

½ cup               brown sugar

¼  cup              organic white sugar

½ cup              molasses

1                      large egg

1 cup           white chocolate chips

Rolling Mixture

1/3 cup            granulated sugar

¼ cup               finely chopped candied ginger

Preheat oven to 350 F

In a medium bowl, whisk together flours, baking soda, salt, ginger and cloves.

In mixing bowl cream butter, brown sugar and  ¼ cup granulated organic sugar until light and fluffy. Beat in molasses and egg.

In thirds, add in flour mixture and continue mixing until just combined. Sprinkle over with white chocolate chips. It’s a heavy dough that’s not easy to mix.

Line two baking sheets with parchment paper. Scoop tablespoons of dough arranging 2 inches apart on baking sheet. Put sugar in small bowl. Form each cookie into a ball and lightly roll in sugar to coat. IMG_5046Place a chopped piece of candied ginger on each sugared ball.  Using the bottom of a glass, flatten into 3 inch rounds.

Bake until golden brown 12-14 min

Cool on a wire rack 

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Sourdough baking with Sarah Owens

It’s because of cookbook author Sarah Owens that this baker has started to travel with her dough. I put it in a big plastic tub in the trunk of my car or strap it into my bike carrier, ready to drive off to meetings or Pilates classes with living, bubbling yeast. I pack water and a cloth so I can stretch and fold the dough with wet hands every half hour and clean up my doughy fingertips afterwards.

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Pulling beet levain dough in the car during a tennis game

My life goes on and so does the ferment. It’s got to! Sarah’s technique requires half a day of fermentation.

If you think that’s crazy, you’re unlikely to want to bake from SOURDOUGH: Recipes for rustic fermented breads, sweets, savories, and more.

But then again, you’d never have the pleasure of taking the lid off a Lodgepan combo cooker in a 500F oven and seeing cheddar cheese ooze out of a hot, chili-spiked bread. Your palate would never notice the delightful zing and bite of both fresh and candied ginger folded into a sweet, buttery cake or enjoy the crunch of poppy seeds in a turmeric-tinged artisanal levain loaded with leeks.

Turmeric scallion leek levain
Seeded Turmeric and Leek Levain

This cookbook has opened a new world of baking for me. Never before had I used sourdough starter to make anything other than bread, but now I’ve tried it in cakes, cookies, popovers, even crackers. The wild yeast adds a depth of flavour to these baked goods and a bubbly crumb. (Besides, I refresh my sourdough starter weekly, if not every few days, and I’d much rather add it to an innovative recipe than throw it away.)

Sourdough bakers believe that good bread needs a very slow rise.  Often, that’s a three-day process that requires more waiting than action. Sarah’s bread recipes are no-knead and include a range of flours, from buckwheat to kamut to emmer.

Beet Bread (found on my copy’s stained page 55) asks you to plunge into a slurry of roasted beet puree, levain and three different flours and “mix with your hands until completely hydrated and no lumps remain.” IMG_6053

I was game. My fingers emerged a bright, gooey pink and my banneton might be stained for life but every cakey, sweet bite of this levain was worth it.  Think velvet cake without the sugar.

IMG_6059Sarah really understands flavours and how to pair them.  A former rose horticulturist with the Brooklyn Botanic Garden, this woman knows and loves blossoms, buds, roots, seeds and fruits. She bakes like a true artist and luckily for us, she’s written down all of her highly novel, well-tested creations. Who would have thought to make popovers with spring chives and dandelions? Or pair cocoa-spiced pork with rhubarb in a pot pie?

Admittedly, I have had a little trouble with a couple of her recipes. Brooklyn Sourdough is minimalist in terms of ingredients but calls for a five to six minute “slap and fold” method that I was unable to master.  My boule-shaped loaves looked like pancakes when I pulled them out of the oven. Ditto for the Friendship Loaf.

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Honeyed Spelt and Oat Levain

But neither of these disappointments will stop me from raving about the feathery-light, wide open crumb of Honeyed Spelt and Oat Levain.  Or from trying more of Sarah’s out-there ideas.

Sourdough was her first cookbook yet it won la crème de la crème of cookbook awards in 2016: the James Beard. No wonder she has 26,000 people following her on Instagram.

Last Christmas, my son gave me Sarah’s second cookbook Toast and Jam: Modern recipes for rustic baked goods and sweet and savoury spreads. This beauty of a book contains as equally a novel approach to preserves, as it does to sourdough baking.  I’ve got a sumac tree outside my window that I’ve been eying for her jelly recipe not to mention some gnarly organic carrots from my garden, bound to dazzle in her Spiced Carrot Levain.

If it weren’t for this cookbook author’s mighty contribution to baking, neither me nor my dough would be travelling together in such a delicious way.

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Buttery Banana Bread

IMG_6129Oh, the trials and tribulations of banana storage! Buy a big bunch and they all reach the right eating ripeness at the same time. There’s that two-day “perfect banana” window, then black dots start to hit those yummy yellow specimens like a rash. Before you know it, you’ve got some sorry, black and withered bananas languishing in the fruit bowl. Continue reading “Buttery Banana Bread”

Becoming a San Francisco Baker, Part 2

By day two of Artisan Bread Baking Level III, I had a hunch: The cards just weren’t stacked in my team’s favour. Sure, we looked the part.Team 3 wore white chef’s coats buttoned to the collar with crisp, starched aprons secured at the waist. We clutched the same roll of formula-printouts in our hands as we entered the production facility. Just as the others, we plopped down our pens, smartphones and water bottles on our workbench and had access to the same high tech mixers and ovens. But there was no doubt about it: Team 3 lacked a certain, shall I say, je ne sais quoi.

Me and my mixer.
Me and my mixer.

Didier tried to be diplomatic but I know he knew what I knew, even before I knew it.

It was called experience.

The pros in our class knew exactly how to operate the second they stepped into the spotless bakery. But for us rookies, it was our first swing up at the bat in the big leagues.

Worse still, the real bakers knew that time was of the essence. They circled around the large room and took a mental log of where all the important stuff lived, like tubs and cylinders used to scale ingredients or hold fermenting dough. They instantly sourced out the Essential Four (flour, water, yeast and salt) and understood that all the water had to be cycled through a digital cooler then laboriously calibrated with a probe thermometer.IMG_2828_EDIT From the corner of my eye, I saw a flurry of activity, bakers racing by our workbench wielding tall, plastic stacks of containers, pulling bins-on-wheels full of flour and figuring out which scales worked and which didn’t.

But my team was just too busy standing still, staring at each other’s nametags and politely pointing at the pile of formulas and wondering which of us would lead our naïve flock.

It was Chef Jesus, of course.

But how would I possibly address this tall, broad-shouldered teammate who stood by my side, yet towered above me? Should I pronounce the name embroidered on his chef’s coat like Sunday school or offer up a Spanishy “Hey Seuss? When I mangled out the latter, a cringe swept over the Texan’s mug then Jesus Lugo calmly inhaled, looked me straight in the eye and said dead-pan, “That’s right, Madeleine.”

From then on, I knew our team had an inkling of a chance. Not only was Chef Jesus Lugo experienced, but an extremely patient man who just happened to be built like a Mack truck. A community college instructor from El Paso, Texas, Jesus took the bull by the horns and picked up (no, levitated) a 20-kilo pail full of poolish and deftly poured it into the VMI Phebus mixer near our workbench.

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L to R: Teammates Claudia Rezende and Gabrielle Thomas

Meanwhile, Claudia Rezende from Sao Paolo was scaling flour, reading glasses perched halfway down her nose, bouncing kid-like on her tiptoes in order to see the digital numbers flashing in front to her. She was giddy with joy to be standing in this facility in South San Francisco. Like I, she’d booked a room at a nearby airport motel and was titillated to be honing professional skills. But after less than a minute at the scale, Claudia stamped her foot angrily and swore something completely unsterile in Portuguese. One huge scoop of flour had just tipped the scale and the digital readout had gone blank.

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Scaled yeast in a container on top of scaled flour.

Bread is baked by weight not volume and bakers follow formulas, not recipes. On day two of the course, we would bake four different breads: semolina durIMG_3270_EDITum crowns, rustic filone, spelt bread and 100 % whole grain bread. Every bread formula was designed to produce 25-40 kilos of dough (enough to cover the surface of a bath tub like a big, fluffy pillow) and would bake off into 50-75 loaves.

Everything was weighed.

On average, every one of Didier’s formulas was based on 10 kilos of flour. I’ve watched Toronto bakers slash open humungous 10-kilo-bags of flour mix, dump the entire contents into a mammoth mixer, pour in litres of water by the pitcher-full then turn on the mixers’ timer and walk away.

Not us. At SFBI we were “in production” in a refined, complex, scientific and artisanal way. Thus, the semolina durum crowns we mixed up on Day Two required 10 kilos of hard, white bread flour but our job was to meticulously scale (baker-speak for weigh out) this flour into a large, plastic rectangular bin, haul and dump it into a mixing bowl the size of a jumbo exercise ball, then add two (not one!) pre-ferments: a whole wheat durum sponge and a durum semolina poolish that had been prepared the day before and left to ferment from sundown to sunrise.IMG_3035_EDIT

“The pre-ferment!” shouted out Didier in the classroom the day before, his pitch just shrill enough to wake anyone snoozing in the back. “This is our secret tool. We can add something, something so fantastic to the final dough with a pre-ferment. What do you think that is?” he asked, his tone rising on the last syllable and left hanging in the air. He stared at us expectantly for a long while until he couldn’t stand it anymore and teased up the air above us, pointing and waving his magic marker frantically.

“Uh, uh, more fermentation?” suggested someone as if risen out of a coma.

“Yes, so….?” he prodded and waited, the room growing loud with silence until he sang out “Flavor my friends, flaaaaaavorrrr!!!” he droned with religious fervor.

But of course.

To be continued

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Becoming a San Francisco Baker, Part 1

I am a happy baker but a very reluctant scientist. Certain that I could pump up one of my greatest passions with some technical muscle, I recently enrolled in the five-day Artisan III Advanced Bread course offered at the San Francisco Baking Institute.

I chose the course somewhat illogically. I wanted a challenge and knew that most of the scientific baking terms outlined in day one of the curriculum were an utter mystery to my blonde brain: IMG_2815_editwhether it was interpretative flour terminology like ash content or falling number or fermenting fundamentals like knowing your acetic acid from your lactic, the truth was it would all come in handy if I ever wanted to get totally serious about bread and open a bakery – which I don’t.

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Didier Rosada

But I like to dream that I might… and even our instructor, certified Master Baker Didier Rosada was prone to talking at length about romance and passion as any fine, French born and trained professional might when lapsing into a reverie about all things gastronomique.

Bread, despite its lowly origins and simple ingredients, had captivated 18 adult students enough to willingly sit behind cramped little desks in a fluorescent-lit-classroom for six long hours on that first day before we even came within a nose of inhaling the toasty, rich aromas of blistery crusts baking in the eight-deck, 200-loaf- capacity behemoth oven downstairs.

IMG_3246_editWe came from all corners of the world, we students of flour, water, yeast and salt, with a dozen different accents among us. Every so often, the instructor would speak of “yeast going dormant” or “dough conditioners” and questions in all different accents would pop up like mushrooms making for a broken telephone of misunderstanding interpreted in South African, New Zealand, Italian, Japanese or Brazilan-accented English.

Two bakery owners came from the far reaches of Johannesburg and Auckland to assess the week’s training, considering whether it was worth the expense to ship their staff to San Francisco for a week or two of bread school. Another two students, both recent San Francisco city college baking program grads, came for post-grad detailing while I belonged to the ‘serious home bakers’ faction which included a mother of teens from Sao Paolo, Brazil and a French history professor from Oklahoma. An exclusive Utah grocery chain sent two employees to finesse their ciabatta and baguette skills while Urth Caffé of Los Angeles dispatched two of their executive chefs.IMG_2954_edit

Big dollars were riding on many of the bread brains in the room and our leader, Didier often rolled his eyes upward in obeisance to the food gods as he rolled his r’s dramatically and proclaimed in his thick, French accent the defining hallmark of the course, “Production!” which is industry-speak for — well, baking.

Enter the contradiction. We were enrolled to learn artisanal techniques in an industrial, high tech environment. The institute is situated under the same roof as TMB Baking, a distributor of baking equipment from around the globe. Imagine an airport hangar divided into three separate bakeries (two used as bakery/classrooms, the other a commercial off-site bakery for SFBI’s two,

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downtown retail stores) beside an equally vast area housing bakery equipment stock. I liked to linger outside our second floor classroom, perch on the balcony and take in an eagle eyes’ view of the high-energy production facilities below.

“Only 20 % of baking in the USA is artisanal, “declared Didier on our first day, explaining that the remaining 80 percent is of the more commercial variety, namely pan loaves and bun production. Think baguette versus Wonderbread, ciabatta versus Kaiser rolls. IMG_3184_editArtisanal is based on traditional, Old World techniques compared to high quantity, fast and industrial modern bread baking. Yet, enter the word “production” and we are talking about large-scale baking of old school recipes.

After five hours of classroom science on the first day of the program, I was chomping at the bit to get my artisanal hands into flour and start production.   Didier pointed at me and four other students in the same row of desks and declared with his usual flourish: “You five are team Number 3!”

He then scribbled a haze of weights, team numbers and formulas on the white board and suddenly it was time to get out from under our school desks and into the production lab . I detected a certain hop and vigor in everyone’s descent down the stairs. In the next hour, we would prepare vats of rye and spelt polish, durum sponge and whole wheat levain that would ferment and bubble all night long until our return for Day Two.

To be continuedIMG_3042_edit

Breaking bread

True confessions: I’m a little wired up about bread baking.  I do it weekly.  Sometimes daily.  The process never ceases to fascinate me. The day I stop being thrilled about a loaf of bread – before, during and after its creation – is a day not worth living for.

Once a new, gorgeous loaf is out of the oven and cool enough to touch, I have to photograph it.  I’ve been sharing much of this on Instagram and now it’s time to showcase some of my bread progeny here.

Green and black olives with thyme
Green and black olives with thyme

This is one of the first artisanal varieties I attempted back in the 90s when I baked just about every recipe in Amy’s Breads by Amy Scherber and Toy Kim Dupree. Amy owns a bakery in NYC and has come up with a brilliant sponge starter that offers an apt stepping stone to the next level up: the sourdough starter.

Olive bread is always a big hit, especially with my friend Danny who used to come to high school with olive sandwiches painstakingly created by her adoring mother who sliced olives off the pit and wedged them between two slices of buttered bread.  We thought Danny’s sandwiches were pretty weird back then. Little did we know she was a gourmet trendsetter.

Semolina and sesame loaves perched on bannetons
Semolina and sesame loaves perched on bannetons

I wanted to rise my loaves in bannetons like the French master bakers do, but I was too cheap to buy them.  Unavailable for purchase in Toronto, I found my first ones online at King Arthur Flour. All my American cookbooks had King Arthur Flour in their “Where to Shop” section but I choked when I saw the price: US$35 for a single basket! Fortunately, my mother was willing to fork over the big bucks when she found them on my birthday wish list.  I have treasured these light, airy baskets ever since.

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Here is a semolina sesame loaf that has spent the night in the refrigerator tucked inside a banneton, sealed within a large plastic bag. I dust (no, shower)  the banneton with rice flour before I turn a shaped loaf upside down and into it for the long, final rise.  The ridges of the reed basket form the circular pattern on top of the loaf which I flip on to a bread paddle lined with parchment. I simply cannot bake free form loaves without parchment paper. It works like a charm.

Roasted potato levain.
Roasted potato levain.

Photographing loaf after loaf can get a little monotonous.  I found a new backdrop with my living room couch! Ikea never looked so good.

My bread club has been doing communal bakes from the bible: Bread by Jeffrey Hamelman. The first time I made the recipe (pictured below) I used a preferment with a pinch of instant yeast (as the recipe instructs) but a fellow baker suggested I forget the yeast and use a starter instead.  I’ve been toying with roasted Yukon gold potatoes, sage and even spelt in several adaptations for a couple of weeks.

As my sister once observed, “You just can’t leave well enough alone, can you?”

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Roasted potato bread, page 117, Bread by Hamelman.

It’s true, I can’t. This photo above is my first attempt at Roasted Potato Bread  and it looked and tasted amazing. The crust was a deep amber, the residual rice flour from the banneton added artistic flare and flecks of Yukon gold potatoes and sage peaked through the crumb. But I had to mess with it, because my inner bread critic thought that crumb was too tight.

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Mado’s roasted potato levain.

Here above is the glorious result of my second try when I broke from the recipe and used a tablespoon of my trusty starter to make the preferment into a levain. Getting too technical? None of this really matters unless you are a bread nerd. And my friends are willing to listen to me talk bread as long as they get some bread.

Like my friend Randy.

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Cinnamon raisin levain.

He will nod and listen and say, “Uh huh, uh huh,” for hours of a monotonous Mado monologue on bread. He hardly says a word until the end, when he slips in, “Have you ever thought of cinnamon raisin?”

Many loaves go in his direction.  And when there is a dry spell, he’ll text me to say hello, finishing off with, “Some say white bread gets a bad rap…” That’s Randy-speak for “I want.”

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Vermont sourdough (mostly white with a tad of rye).

And in this case, he got.