By day two of Artisan Bread Baking Level III, I had a hunch: The cards just weren’t stacked in my team’s favour. Sure, we looked the part.Team 3 wore white chef’s coats buttoned to the collar with crisp, starched aprons secured at the waist. We clutched the same roll of formula-printouts in our hands as we entered the production facility. Just as the others, we plopped down our pens, smartphones and water bottles on our workbench and had access to the same high tech mixers and ovens. But there was no doubt about it: Team 3 lacked a certain, shall I say, je ne sais quoi.
Me and my mixer.
Didier tried to be diplomatic but I know he knew what I knew, even before I knew it.
It was called experience.
The pros in our class knew exactly how to operate the second they stepped into the spotless bakery. But for us rookies, it was our first swing up at the bat in the big leagues.
Worse still, the real bakers knew that time was of the essence. They circled around the large room and took a mental log of where all the important stuff lived, like tubs and cylinders used to scale ingredients or hold fermenting dough. They instantly sourced out the Essential Four (flour, water, yeast and salt) and understood that all the water had to be cycled through a digital cooler then laboriously calibrated with a probe thermometer. From the corner of my eye, I saw a flurry of activity, bakers racing by our workbench wielding tall, plastic stacks of containers, pulling bins-on-wheels full of flour and figuring out which scales worked and which didn’t.
But my team was just too busy standing still, staring at each other’s nametags and politely pointing at the pile of formulas and wondering which of us would lead our naïve flock.
It was Chef Jesus, of course.
But how would I possibly address this tall, broad-shouldered teammate who stood by my side, yet towered above me? Should I pronounce the name embroidered on his chef’s coat like Sunday school or offer up a Spanishy “Hey Seuss? When I mangled out the latter, a cringe swept over the Texan’s mug then Jesus Lugo calmly inhaled, looked me straight in the eye and said dead-pan, “That’s right, Madeleine.”
From then on, I knew our team had an inkling of a chance. Not only was Chef Jesus Lugo experienced, but an extremely patient man who just happened to be built like a Mack truck. A community college instructor from El Paso, Texas, Jesus took the bull by the horns and picked up (no, levitated) a 20-kilo pail full of poolish and deftly poured it into the VMI Phebus mixer near our workbench.
L to R: Teammates Claudia Rezende and Gabrielle Thomas
Meanwhile, Claudia Rezende from Sao Paolo was scaling flour, reading glasses perched halfway down her nose, bouncing kid-like on her tiptoes in order to see the digital numbers flashing in front to her. She was giddy with joy to be standing in this facility in South San Francisco. Like I, she’d booked a room at a nearby airport motel and was titillated to be honing professional skills. But after less than a minute at the scale, Claudia stamped her foot angrily and swore something completely unsterile in Portuguese. One huge scoop of flour had just tipped the scale and the digital readout had gone blank.
Scaled yeast in a container on top of scaled flour.
Bread is baked by weight not volume and bakers follow formulas, not recipes. On day two of the course, we would bake four different breads: semolina durum crowns, rustic filone, spelt bread and 100 % whole grain bread. Every bread formula was designed to produce 25-40 kilos of dough (enough to cover the surface of a bath tub like a big, fluffy pillow) and would bake off into 50-75 loaves.
Everything was weighed.
On average, every one of Didier’s formulas was based on 10 kilos of flour. I’ve watched Toronto bakers slash open humungous 10-kilo-bags of flour mix, dump the entire contents into a mammoth mixer, pour in litres of water by the pitcher-full then turn on the mixers’ timer and walk away.
Not us. At SFBI we were “in production” in a refined, complex, scientific and artisanal way. Thus, the semolina durum crowns we mixed up on Day Two required 10 kilos of hard, white bread flour but our job was to meticulously scale (baker-speak for weigh out) this flour into a large, plastic rectangular bin, haul and dump it into a mixing bowl the size of a jumbo exercise ball, then add two (not one!) pre-ferments: a whole wheat durum sponge and a durum semolina poolish that had been prepared the day before and left to ferment from sundown to sunrise.
“The pre-ferment!” shouted out Didier in the classroom the day before, his pitch just shrill enough to wake anyone snoozing in the back. “This is our secret tool. We can add something, something so fantastic to the final dough with a pre-ferment. What do you think that is?” he asked, his tone rising on the last syllable and left hanging in the air. He stared at us expectantly for a long while until he couldn’t stand it anymore and teased up the air above us, pointing and waving his magic marker frantically.
“Uh, uh, more fermentation?” suggested someone as if risen out of a coma.
“Yes, so….?” he prodded and waited, the room growing loud with silence until he sang out “Flavor my friends, flaaaaaavorrrr!!!” he droned with religious fervor.
But of course.
To be continued