It’s hard not to think of cranberries this time of year. Little red orbs that they are, cranberries are synonymous with the festive season. Rare is the turkey that’s served without glistening, ruby pools of cranberry sauce.
But there’s a little problem with these berries – they are pucker-up tart and not easy to eat straight. Yes, they mellow with a little cooking and indeed, become more palatable once sweetened, yet it’s the raw, nude cranberry that delivers the most health benefits.
That’s why I recently found myself in a downtown Montreal hotel surrounded by over 150 food bloggers – a handful of which were men and the majority under-40 females who could simultaneously post on Instagram, Pinterest and Twitter faster than I can crack an egg.
When I got my copy of Happy Hens and Fresh Eggs by Toronto author Signe Langford I judged it, yes judged it, by its cover. Cute quirky name, I thought, guessing this was yet another cookbook on eating local with a beautifully art-directed cover.
Wrong.
This cookbook is a keeper.
It’s August and I’m dipping fingers and bread into a bowl of freshly made pesto. The colour shimmers emerald green and licorice notes of sweet basil jump into my nostrils, the garlic-tinged oil making a smooth slide down my throat.
I want to eat it by the spoonful, but instead rush to store it before the colour and flavor are ruined by oxidization. So off it goes, portioned into small, glass jars covered by a thick layer of oil, lidded and refrigerated. I will slather it on warm toast, piling on sliced garden tomatoes and crisp bacon to make daily BLTs to be consumed with lascivious abandon. A teaspoon or two will find its way into homemade salad dressings, more will be drizzled over grilled shrimp and sometimes I’ll float a coin-sized island of it in the middle of a creamy cold cucumber soup or smear it on crostini with grilled veggies.
By day two of Artisan Bread Baking Level III, I had a hunch: The cards just weren’t stacked in my team’s favour. Sure, we looked the part.Team 3 wore white chef’s coats buttoned to the collar with crisp, starched aprons secured at the waist. We clutched the same roll of formula-printouts in our hands as we entered the production facility. Just as the others, we plopped down our pens, smartphones and water bottles on our workbench and had access to the same high tech mixers and ovens. But there was no doubt about it: Team 3 lacked a certain, shall I say, je ne sais quoi.
Didier tried to be diplomatic but I know he knew what I knew, even before I knew it.
It was called experience.
The pros in our class knew exactly how to operate the second they stepped into the spotless bakery. But for us rookies, it was our first swing up at the bat in the big leagues.
Worse still, the real bakers knew that time was of the essence. They circled around the large room and took a mental log of where all the important stuff lived, like tubs and cylinders used to scale ingredients or hold fermenting dough. They instantly sourced out the Essential Four (flour, water, yeast and salt) and understood that all the water had to be cycled through a digital cooler then laboriously calibrated with a probe thermometer.
From the corner of my eye, I saw a flurry of activity, bakers racing by our workbench wielding tall, plastic stacks of containers, pulling bins-on-wheels full of flour and figuring out which scales worked and which didn’t.
But my team was just too busy standing still, staring at each other’s nametags and politely pointing at the pile of formulas and wondering which of us would lead our naïve flock.
It was Chef Jesus, of course.
But how would I possibly address this tall, broad-shouldered teammate who stood by my side, yet towered above me? Should I pronounce the name embroidered on his chef’s coat like Sunday school or offer up a Spanishy “Hey Seuss? When I mangled out the latter, a cringe swept over the Texan’s mug then Jesus Lugo calmly inhaled, looked me straight in the eye and said dead-pan, “That’s right, Madeleine.”
From then on, I knew our team had an inkling of a chance. Not only was Chef Jesus Lugo experienced, but an extremely patient man who just happened to be built like a Mack truck. A community college instructor from El Paso, Texas, Jesus took the bull by the horns and picked up (no, levitated) a 20-kilo pail full of poolish and deftly poured it into the VMI Phebus mixer near our workbench.
Meanwhile, Claudia Rezende from Sao Paolo was scaling flour, reading glasses perched halfway down her nose, bouncing kid-like on her tiptoes in order to see the digital numbers flashing in front to her. She was giddy with joy to be standing in this facility in South San Francisco. Like I, she’d booked a room at a nearby airport motel and was titillated to be honing professional skills. But after less than a minute at the scale, Claudia stamped her foot angrily and swore something completely unsterile in Portuguese. One huge scoop of flour had just tipped the scale and the digital readout had gone blank.
Bread is baked by weight not volume and bakers follow formulas, not recipes. On day two of the course, we would bake four different breads: semolina dur
um crowns, rustic filone, spelt bread and 100 % whole grain bread. Every bread formula was designed to produce 25-40 kilos of dough (enough to cover the surface of a bath tub like a big, fluffy pillow) and would bake off into 50-75 loaves.
Everything was weighed.
On average, every one of Didier’s formulas was based on 10 kilos of flour. I’ve watched Toronto bakers slash open humungous 10-kilo-bags of flour mix, dump the entire contents into a mammoth mixer, pour in litres of water by the pitcher-full then turn on the mixers’ timer and walk away.
Not us. At SFBI we were “in production” in a refined, complex, scientific and artisanal way. Thus, the semolina durum crowns we mixed up on Day Two required 10 kilos of hard, white bread flour but our job was to meticulously scale (baker-speak for weigh out) this flour into a large, plastic rectangular bin, haul and dump it into a mixing bowl the size of a jumbo exercise ball, then add two (not one!) pre-ferments: a whole wheat durum sponge and a durum semolina poolish that had been prepared the day before and left to ferment from sundown to sunrise.
“The pre-ferment!” shouted out Didier in the classroom the day before, his pitch just shrill enough to wake anyone snoozing in the back. “This is our secret tool. We can add something, something so fantastic to the final dough with a pre-ferment. What do you think that is?” he asked, his tone rising on the last syllable and left hanging in the air. He stared at us expectantly for a long while until he couldn’t stand it anymore and teased up the air above us, pointing and waving his magic marker frantically.
“Uh, uh, more fermentation?” suggested someone as if risen out of a coma.
“Yes, so….?” he prodded and waited, the room growing loud with silence until he sang out “Flavor my friends, flaaaaaavorrrr!!!” he droned with religious fervor.
But of course.
To be continued
Lately I’ve been feeling out-of-touch with the trendsetters of Toronto’s vibrant food scene. But just a few nights ago, I spent several delicious hours updating my internal food app at The Stop Night Market. I even stood in line – despite my well-known personal aversion to this urban predilection.
I joined a thousand other ticket holders entering the vast, empty lot at 181 Sterling Road in Toronto’s west end and felt a gentle thrill as every line moved at a painless, carefree pace. It didn’t hurt that the evening was bathed in a warm, golden June light that put a glow on everything and everyone, including my neon yellow wristband – an all-you-can-eat ticket to sample from 47 unique food and beverage carts manned by many of Toronto’s food celebs from Momofuko Shoto to up-and-coming stars like Rasa, Branca, Dailo and Boralia .
I was ready to brave the mission alone but was happily joined by yoga-buddy, neighbour and CBC radio host Gill Deacon who tapped my shoulder hello and offered to cart-cruise with me. 
We ambled up to a counter and found ourselves spooning up esquites or messy mouthfuls of creamy, cheesy smoked white corn spiked with chillies and lime juice. Gabriela Ituarta of Maizal explained that we weren’t eating your average peaches ‘n cream corn but an heirloom white variety grown sustainably in the Kawarthas alongside blue, black and green corns.
Two carts away, the aroma of Hawthorne’s signature dish beckoned: crispy chicken skin tacos
piled high with braised chicken, carrot kimchi, flash-fried vermicelli and guacamole edamame (I dare you to say that three times). Gill and I kicked back our sliders in mere seconds, delighting in these unctuous, texturally divine creations.
Next stop, Dailo and chef Nick Liu’s large, welcoming platter of locally produced smoked trout served on delicate betel leaves, covered in a toss of kaffir lime leaves, hot Thai peppers and coriander. Commonly used throughout Asia to wrap around highly addictive chewable betel nuts, these leaves are rarely found on the plate, yet they’re surprisingly sweet, tender and thin, providing the perfect vehicle for a sampler.
Unlike many of the Night Market offerings, Dailo’s betel leaf preparation was a one-bite morsel that suited my mission to taste widely yet wisely. Night market feeding is a bit like binging on Netflix. You don’t want to stop. The pull of eye candy is immense. Yet the overwhelm factor easily sets in. Besides, the host of the event, The Stop, is all about food consciousness.
According to Kathe Rogers of The Stop, this two-night event raised $200,000 to help “fight hunger, build hope and inspire change” and sponsors such as Blue Goose (naturally raised beef, fish and chicken), Fiesta Farms, and Boulart (artisanal bread) donated raw materials to these restaurant teams that worked like mad to pump out 800 samples in a single evening.
Eavesdropping at the AGO cart, I could detect a slaphappy, Red Bull induced banter among the half dozen chefs scrambling to keep the Pan American Tamale Stand operating smoothly. Yet despite the crowds and the unceasing need-to-feed, executive sous Chef Renée Bellefeuille had plenty of time to share recipes and enjoy accolades from fellow eaters.
“Do not eat the corn husk,” laughed one of the chefs as I dove into smoked chicken with caramelized onions, charred corn and queso rolled inside a steamed cornmeal cake that sky-rocketed from delicious to miraculous once doused with dollops of salsa verde , cherry tomato salsa and lime crema.
“Cholulu, don’t forget the cholulu. It’s my favourite,” said Renée, when she saw me lingering at the high-traffic condiment station.
She also noticed that I took only one heavenly nibble of her dessert tamale with its rum soaked pineapple and caramel rivers of dulce de leche spooned over a sweet, steamy masa harina.
But pacing, my friends, is the only answer to a night market feast especially when the sun starts to set, samples get lost in the shadows and chefs lose their happy-to-serve-you mojo.
Hail to sales people.
Marketing Meredith at Libretto Pizzeria was still revved up enough at sunset to provide a full introduction to frittatina, or stuffed bucatini pasta that inexplicably transformed into square cubes once tossed into the deep-fryer! They emerge with a creamy hot interior of provolone and bechamel sauce beneath a lightly battered surface. Dunked into tomato sauce, these addictive creatures are a hallmark of Libretto’s newest resto concept, A3 on College Street.
Learn something new every day.
And when you get to taste it all amid one thousand other happy campers, it is a win-win.
Thank you, The Stop.
Mado Food 